Bon Iver 4AD/Jagjaguwar session
Haven’t watched this in full yet, but I’m saving it for some detailed appreciation later. I can gamble on this being an amazing 25 minutes of music magic since it is BON IVER (or should I say, BONNIE BEAR?). I’m now always tempted to call Bon Iver “Bonnie Bear” after all the tweets and buzz after the Grammys when clueless people misheard “Bonnie Bear”. Instead of regurgitating what the video is, I’ll just paste over the description. Enjoy. This will be heartstoppingly good. No doubt. Congrats, Bonnie Bear, you deserved the Grammy wins and much more.
4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience.
Recorded in AIR Studio’s Lyndurst Hall - a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) - Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos. Although neither Justin nor Sean’s first instrument is piano, they were able to remodel the songs in a way that showcases their complimentary vocals and, perhaps more strikingly, a seemingly effortless ability to experiment with form and structure.
As such, fans are treated to jaw-dropping interpretations of several songs from both the new album and the ‘Blood Bank’ EP, as well as a cover of Bonnie Raitt’s “I Can’t Make You Love Me”. And interpretation is an apt word, as these songs are artfully abstracted from their original incarnations. Rather than layer the sound as on ‘Bon Iver, Bon Iver’, the focus is on paring back, in part evoking the minimalist approach of contemporary classical music, while remaining true enough to the source material to retain those elements characteristic of Bon Iver.
As on “Babys” and “Hinnom, TX”, Vernon’s trademark falsetto is positioned centre stage, framed by subtle and unexpected instrumental flourishes that render the performance simultaneously weighty and airless. It’s quite an achievement that songs so widely-known and loved in their recorded form are able gain in emotional impact, and stands as testament to Bon Iver’s singular talent.
1. Hinnom, TX
2. Wash.
3. I Can’t Make You Love Me
4. Babys
5. Beth/RestDirector: Iain Forsyth & Jane Pollard
Recording & Mixing: Jake Jackson with Brian Joseph
Recorded in London at AIR Studios, October 16, 2011
UPDATE: I couldn’t stop listening after I hit play while posting it. I have goosebumps. How can people say Nicki Minaj and Skrillex should have won over Bon Iver for Best New Artist? Have they listened to Justin Vernon, EVER? I didn’t think so…
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seaninprogress reblogged this from iheartmoosiq and added:
BRILLIANT, y’all. Listen in high def with some good heaphones if possible.
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livinpartoflife said:
Amen to that!
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iheartmoosiq posted this
